Cubed3's Reviews
Men of War II is a solid RTS marred by clunky controls and complicated gameplay, but its worst offense is requiring an internet connection, even for single-player modes. Without that requirement (which, again, is currently meant to change sometime post-launch) and with just a little polish to the controls, UI, or both, this could be a must-have for RTS/WW2 buffs. Fans of the series will probably have an easier time diving in, while new players are likely to find themselves completely lost without going through the tutorials. On the whole, the game feels solid, looks good, sounds good, and has a lot of potential, and its flaws aren't so bad they can't be polished out.
Biomutant is very far from a bad game and getting something of this scope ported to the Nintendo Switch in a very playable state - as seen from other ports over the years - is credit to the technical knowhow and adaptiveness of the development team at Experiment 101. There are a lot of interesting mechanics going on, from the focus on an entirely customisable character and the crafting and loot system, to the exploration in this unique setting. While performance is generally acceptable however, the graphics are undoubtedly rough round the edges and things like shadows, pop-in and inconsistent textures spoil what is otherwise a decent enough presentation. Adding to this, while the world is varied in its locales, the emptiness of the setting does much to break immersion and despite the illusion of choice many of the quests ultimately boil down to the mundane.
Grid Legends achieves a great deal at nailing down the fundamentals of a modern racer, but not much else. While the roster of cars is fine, the upgrade system and process of obtaining new vehicles leaves something to be desired. Codemasters provides handling of most vehicles on the track and stable performance and visuals on PC to make up for the awkward feeling story mode and lacklustre AI in offline modes. In the end, Grid Legends doesn't quite match up to the competition but may be worth a look as a more straightforward title.
Endless Ocean Luminous caught a lot of attention amongst fans of the series when announced. Those who enjoy long, peaceful diving sessions may well feel at home with Endless Ocean Luminous. It's a formula that, on paper, had a lot of potential to have opened up the flood-gates (pun intended) for a comprehensive diving experience - especially with the capabilities of the Nintendo Switch. Initially it's a bright and intriguing but drifts off into the mundane fairly quickly.
The transition from single-screen pre-rendered backgrounds to fully realized 3D environments has breathed new life into level design of Oddworld: Soulstorm Enhanced Edition. Stages wrap around each other, utilizing added depth creatively. The expansive vistas of Oddworld's alien landscape look incredibly realistic, showcasing the capabilities of the Unity engine, which has evolved from a budget choice for hobbyists to a platform capable of rendering imagery on par with AAA Unreal Engine 4 titles. The clashing tones with the storytelling and gameplay are regrettable. The developers should have leaned more into the silliness of the premise instead of take itself so seriously. Being able to fart on command was a crucial pillar of Oddworld and seeing it gutted is utterly depressing.
Stasis: Bone Totem's challenging puzzles may cause a headache and bring progression to a halt on more than one occasion, so it is best to be prepared for critical thinking and a little trial and error. The excellently written characters and superb voice acting really drive the desire to progress, and the sci-fi horror plot is backed up by immaculate prerendered backgrounds that sadly take a dip in quality on Switch, especially on the puzzle screens. Although not without its faults and the odd bug here and there, this point-and-click adventure has still transitioned greatly to console, and the effort to bring such a title to Switch is hugely appreciated.
Marvelous have absolutely succeeded in making Rune Factory 3 Special endearing to newer fans despite some obvious differences compared with the newer Rune Factory titles. It remains a great blend of RPG farming and fighting, the latter can be focused on for farming aficionados, holding off main story progression until it is desired. The comprehensive post-game content that is not conditional on various requirements only adds to the experience. Let's hope Rune Factory 1 and 2 receive similar treatments in the future!
Forza: Motorsport 2023 is both a fantastic racing experience and an example of everything wrong in the genre at the moment. the driving is better than ever and the visual design is fantastic but the soundtrack, lack of local play and the small number of bugs did detract from the overall experience. It's got a ton of amazing content that makes up for the issues, however, so it is a hearty recommendation to all motor nuts.
Dementium: The Ward runs pretty short and has very little replay value. The puzzle solutions and bosses are identical to the prior versions, and the overall campaign takes place in only one location. Its value is a tad overstated, this is a recommended classic that does come highly polished and has some legit creepiness to it, thanks to the gritty and foreboding atmosphere. The controls feel very tight and it's incredibly responsive, though it could use more features like gyro or a weapon wheel. A survival mode or a randomiser would also add value and more of a reason to return to Redmoor. These are the kinds of additions Dementium: The Ward needed, not a 'retro' filter.
Persona 3 Reload does much to bring it up to modern sensibilities with a well optimized PC port in most cases, but more could have be done to shake off more of the baggage from the original release. The new menu systems and battle features carried over from more recent titles elevates the game the most and the new voice cast does an admirable job with largely the same script. The pacing still feels held back by the original story design and the main concept of Tartarus, but as a remake of what many consider a PlayStation 2 classic, it is a recommendation for JRPG fans.
Quantum: Recharged feels like a singular entry within a larger anthology or collection of retro arcade games harkening back to the early 80s. The game is highly responsive, and its polished, dazzling appearance indicates meticulous attention was paid to pay homage to the original Quantum. While it's commendable that the classic Atari game is receiving due respect, the extent of its acclaim appears to be overstated, primarily due to its excessively simplistic nature.
Princess Peach Showtime! is full of wonderful bits and pieces, all showcasing a staggering variety of extremely well implemented gameplay styles which come together as a very fun full game. It stumbles a little in terms of performance (perhaps some irony there in relation to theatre) but pulls itself back up. A Stella(r) second outing for Nintendo's leading lady and one that comes recommended regardless of age or any other features people use to create target audiences.
The somewhat random nature of the AI in combat, along with the linear story and the short gameplay might sound like turn-offs. However, the feline-heavy adventure is oddly fun despite these issues. Seeking upgrades and winning levels makes this low price sci-fi release more enjoyable than some longer AAA titles, proving how strong the indie scene can be. You don't have to be infected with toxoplasmosis to enjoy Space Cats Tactics.
There's a fair bit to like about Diablo IV - best-in-class sound design, intriguing character classes, fantastic graphics and occasionally addictive gameplay all feel like the series in its prime. However, even the best parts are let down by an undercurrent of frustrating design choices: the cynical inclusion of a Battle Pass, a bloated open world, repetitive mission structure and progression that too often feels meaningless cast a long shadow that let the latest Diablo title down. Future Seasons may refine what's here, but many of its issues sadly feel baked into the core experience. All but the most die-hard fans may wish to wait for a substantial sale on this one.
FM24 by its very nature is more of the same and that isn't in itself a criticism. Indeed, Sports Interactive would likely argue this final love letter to 20 years of the series is the culmination and last hurrah of what they have been building up to over the last number of years. Fans returning to the series will either find the presentation a comfort blanket or more of the same, depending on their point of view. Changes to the ageing match engine breathe new life into watching the spectacle play out while the emphasis on the greater power of agents in wheeling and dealing in the transfer market adds a layer of complexity that spices things up. There are also overhauls to set pieces and increased focus on player's individual targets and development. Despite all that though, it does feel like the natural stepping off point of the series to go in a slightly different direction before things get stale and it therefore isn't surprising that FM25 promises a 'new chapter'. It will be exciting to watch where the series goes in the coming years.
With a vast world to explore with varied stories and secrets to discover, Baldur's Gate 3 definitely shines. The cast is largely appealing and voice acting is top notch all-around, even if the storytelling and line delivery is varied in its pace. Character progression is somewhat weak in the opening levels but has a strong foundation for a great buildcraft experience, even if it lacks some on the fly experimentation seen in Larian's past efforts. Despite some performance woes in the later parts of the game and controller hangups, this is a journey worth taking for fans of Dungeons & Dragons or those new to the role playing field.
The best Need for Speed title in a long time, Unbound has such a fun gameplay loop and funky style that it's hard to put down. It has a hard difficulty and slightly odd game feel, but most players of racing games will have a blast here and probably fall in love with the chaotic and frantic police chases. Pick this up!
Although sometimes a little rough, Alone in the Dark is a fantastic remake/reimagining that brings the series back in line with its most interesting events and timeline. This is essential for players looking for a semi-old-school survival horror title that has excellent world design, acting and a host of interesting mysteries to solve. A really great return to form!
There is an abundance of things to love in Final Fantasy VII Rebirth. It successfully provides players with an excellent linear critical path and a ton of side content which some players might call bloat, though it is entirely ignorable. It has absolutely insane production value, housing one of the most insane and interesting Final Fantasy VII stories so far, which strikes a perfect balance between incredibly silly, self-referential and very serious. It has a couple of slight technical issues but is otherwise the perfect follow-up to part one and the perfect setup for part three. Absolutely recommended!
Robocop: Rogue City is the very definition of a solid 7 out of 10 which is somewhat reminiscent of the PS2 era in the sense that there were more outliers released during a given year - the type that would be establishing a lot of the formulas that in a risk-averse mainstream market we find difficult to break away from now. It's a strange point to make as we reach a maturation point in what is likely to be a historic year for risk-averse mainstream video game releases but if it were not for a set of fairly prominent technical issues at the time of release and the writing which, while capturing the broad strokes of the Robocop appeal, isn't quite as sharp as it could've been, Robocop: Rogue City puts all of its efforts into all of the right places and does feel like an outlier because of this. It simply is some of the most fun that can be had in interactive media this year and because of the frame it finds itself in will be a dead cert for a future hit cult classic.