Alex Donaldson's Reviews
Launch games are rarely remembered as earth-shattering experiences years later, but at the time, elements of them always feel magical. On PS5, Miles Morales has both of these feelings down – it’s familiar and unsurprising, but some of its technical presentation will wow you nevertheless. If you’re picking up a PS5 on launch day, for that reason this will surely do.
It takes a while to really warm up to Assassin’s Creed Valhalla, and 15-20 hours in I wasn’t quite as keen on it as I am now; but that’s thanks to the game holding up, and actually giving you more as you play, in terms of plot, world, activities and getting to uncover the mysteries hidden deep within the game. It breaks some of the chains that the series was shackled in when it comes to design, while also boldly owning its own identity, too. It might not be The Witcher: Wild Hunt, or specifically do anything that breaks the wheel when it comes to open-world game design, but Assassin’s Creed Valhalla gets you invested. It’s a slow-burn that takes its time to show you its true colours before flourishing into a rewarding, meaty game that’ll keep you engaged over the winter months.
Successful at what it sets out to do, however – providing a fun, interesting and exciting new adventure that fans of that game will surely enjoy. It won’t stay your appetite for Breath of the Wild 2 – but it’ll keep you occupied happily enough all the same.
I’m not sure I’m yet at the point where I’ll be able to play Ghosts ‘n Goblins with the proficiency that so wowed me to witness as a child. But playing it always gives me a warm and fuzzy feeling that’s entirely at odds with the fiendishly challenging, unforgiving nature of Knight Arthur’s adventure. It’s an all-time classic, and seeing such a game resurrected so lovingly on new platforms is always welcome.
Everything that made that original game special, and ultimately a cult classic, is faithfully and lovingly reproduced here. It’s a safe reimagining, but simply on merit of all the small modernizing touches, which add up to a lot, it’s also pretty clearly a better game than the original – and considering how much I loved that game, that’s no small feat. I can see many more hours in my lair ahead – and with potential updates and DLC down the line to address some issues, true world domination could still be ahead.
While the backtracking remains, it feels much less painful this time around thanks to it being part of a game with smooth performance that’s ultimately much more fun to actually play. The game is considerably improved as a result, and much of what made the original quietly special can now shine far more brightly. It might not be perfect, but within this slightly flawed framework beats the heart of an absolute masterpiece. Those who fell in love with Nier through Automata should go into this with a clear expectation that this is not that game – but if they do, they’ll find much to love.
If you’re the sort of player who got really mad about the national Pokedex in Sword & Shield, you might also bemoan the level of content here. But I think this is plenty, delivering far more than the original and with a whole lot of replay value – it’s just a shame the developers felt the need to stretch it out artificially to justify what they’ve managed to build.
Taken alone, any one slice of the game – like a single house, the village itself, even the way combat handles – has its issues. But combined, it merges into something that’s still special – even if it isn’t quite as brilliant as Resident Evil 7 or 2 Remake. It’s an easy recommendation – though if you didn’t back in 2017, you might want to play RE7 first.
Game Builder Garage seems to want to showcase just what it’s like to make a game, albeit in a simpler way. It’s sometimes challenging to the point of being headache-inducing. It is unrelentingly complicated. When it clicks, however, it’s fun, magical, and incredibly rewarding.
Twelve Minutes ultimately presents a compelling, thrilling experience that feels more than worth the price of entry. It has interesting things to say through its looping core conceit, and it’ll tease your brain more than a few times - sometimes genuinely, sometimes through slightly cheap requirements to progress. I also admit I was less of a fan of where the story went in its later stages - but that doesn’t mean I wasn’t hooked. The journey matters more than the destination, after all - and a gripping journey this is.
WarioWare: Get It Together is unabashedly Nintendo, fulfilling its mission statement to the letter with alarming precision, but also not rocking the boat very much at all. The game’s one big change - controlling a cast of characters - didn’t turn out to be that big of a deal after all. The result is a wonderfully infectious game to play alone - while it lasts - but the true value of the package will be in playing it with others.
Metroid Dread is likely to give those that have been counting down the days to its release exactly what they want: a thrilling experience in line with what they loved about past games.
You'll enjoy Guardians of the Galaxy if you go into it with the right expectations.
Technical shortcomings and minor frustrations can’t take away what this game achieves elsewhere; it’s the best main-series Pokemon game in a long, long time.
When Nintendo gets these sort of lifestyle ‘event’ games right, they’re always a slam dunk. Sometimes, the accuracy of MotionPlus is missed. One can see how Nintendo could've done more new, and included more all-new stuff. And yet... Nintendo Switch Sports is pretty much exactly what I wanted. I can see how it'd be one of my absolute favourite games of the year. That's Nintendo's magic power.
Put simply, I love it all. It’s a worthy successor to the GameCube game in particular, which I still rate as a real classic.
I want to be clear. These caveats and other elements of the game combine to mean that, no, Live A Live isn’t quite as good as either Final Fantasy 6 or Chrono Trigger. Even with that said, however, it does feel like it belongs alongside them. It feels monumentally important, wonderfully clever, and full of a gleeful energy that’ll make the heart of any old-school RPG fan swell. Top marks on this website doesn’t mean it’s a perfect game; it just means we recommend playing it absolutely unreservedly – and such is the case here.
Splatoon 3 feels quite samey, but a high level of polish and the series’ best single-player offering to date elevate this sequel.
In that, it feels like the rare auteur-driven game – where it’s not just self-aware fun, but also a piece of art with something to say about the past, the present – and even how our changing understanding of ourselves, and our stories, can color the future. It’s brilliant, and exactly what I hoped it would be.
Lego Bricktales is a breath of fresh air, and a tremendous surprise. It’s not the longest experience in the world – but I loved every minute of it, and still feel compelled to go back and improve some of my less satisfying builds. Tricky controls be damned – it’s a low-key game of the year contender.