I also recognize that these games are crazy old. I through III are a tough sell for a newcomer. V is a weird outlier with a solid mechanical base. Yet, even with reservations in tow, Final Fantasy IV and VI are highly recommended. In summation, this is a fantastic collection of RPGs. Every game looks, sounds, and plays better than ever before. Some of the edges are still rather rough, but that’s normal for games this old. On balance, the Final Fantasy Pixel Remasters collection represents an essential slice of gaming history. You won’t want to miss a single one.
For the old fans, Re-Boot Camp is practically perfect. The games look much better, while the mechanical guts are properly preserved. On the other hand, if you remember these games being frustrating, that feeling will persist. If you’ve never played the Advance Wars games, you’re in for a fascinating experience. The heavy Fire Emblem influences are balanced with a more brutal, more inconsistent pace that will keep you on your toes at all times. I found myself (an old fan) elated and infuriated in equal measure. If you’re looking for a strategy RPG set apart from the rest, good news! Advance Wars 1+2: Re-Boot Camp isn’t quite like anything you’ve played before. Love it or hate it, you’ll certainly be engaged.
The Battle Network games are a curious chapter in the larger Mega Man saga. If you’ve never played them, you’ll be shocked by how different they are. If you did grow up with these games, they probably form a massive chunk of your Mega Man knowledge. Having played them for the first time, I can easily recommend them. They add a curious new twist on the usual reflex-based Mega Man strategy. I wish there was more variety in the games. Fewer mazes couldn’t hurt, either. But if you’ve ever wanted something different from the Blue Bomber, you’re in luck. The Mega Man Battle Network Legacy Collection is exactly what you’re looking for.
There’s something rewarding about this game. You’re working to restore a dead world, with tangible results to keep you engaged. The mechanics get pretty complex after a while, true. And it can feel like your mistakes are indelible, even as you’re restarting a stage. But the labor feels worth it. Better still, developer Free Lives is putting a portion of pre-order and post-launch sales towards the Endangered Wildlife Trust. In that sense, playing this game actually does some good for the environment. If you’re looking for a peaceful, yet sometimes stressful, gaming experience, consider Terra Nil. You might even reconsider our actual planet as a result.
Once again, we come to the important question: is this roguelike worth your time? That depends. Fans of the genre will appreciate the challenge level, the smooth combat, and the robust skill selection. Newcomers and outsiders will love the unique aesthetic and the high level of polish. On the other hand, this game is proper tough. If that’s what you’re looking for, great! You’re in luck. If you’ve been softened and spoiled by other, more considerate roguelikes, then consider yourself duly warned. Have A Nice Death is a slick, relentless roguelike with all the charm and challenge you could need.
I wanted to love Bayonetta Origins. And I do, sort of. This is a beautiful game set in an enchanting world. You get a deeper look at the troubled past of a fascinating character. Everything is fed through this fairytale lens, one that cranks up the charm and wonder. The writing is whimsical, the art design is impeccable, and the mechanics are terribly clever. But the game loses something in its execution. Repetitive design and breezy challenges kept me curious, but not compelled. Still, this is a unique, unusual experience. If it’s fairytale wonder and whimsy you’re looking for, then Bayonetta Origins: Cereza and the Lost Demon is what you need.
I don’t usually go in for rhythm games, but Final Bar Line proved the exception. While it’s a well-crafted experience, it’s the Final Fantasy connection that really sold me. The quests, the customization, and the heavy dose of nostalgia are all wonderful. Conversely, the art isn’t great, some of the inputs are confusing, and the intended audience is pretty granular. In other words, Theatrhythm Final Bar Line is mostly for Final Fantasy fans. If you fall into that category though, you won’t want to miss this game. It’s a terrific way to revisit your favorite titles in the series.
Whether or not you’ll enjoy it yourself comes down to what you’re looking for. If you’re starving for more Octopath, then this is perfect. Eight new characters, a whole new world to explore, and a handful of new systems. On the other hand, if you’re hoping for something truly new, you’ll be disappointed. I loved the first game, so all I wanted was more of the same. There are enough little changes to keep me pretty happy. But if you weren’t happy with the first one, then Octopath Traveler 2 likely isn’t for you.
If this review feels shorter than usual, that’s for a good reason. A talented roguelite enthusiast can see the end credits in around an hour. The initial weapon selection is refreshing, yes. I also love the color palette used throughout the game. But beyond that, this is a bog standard roguelite. Random assortments of enemies attack with increasing ferocity. The bosses require practice and experimentation to master. Your success is determined by repetition and fortuitous reward drops at the end of every stage. Honestly, the short runtime might be an upside, depending on what you’re looking for. Roguelite players may find Lone Ruin rather disappointing. On the other hand, if you’re looking for a short, arcade-style experience, maybe give this game a shot.
While Engage didn’t win me over with its story, the mechanics are a different matter. I’m pleased that level grinding is being sidestepped in such a clever manner, though I still miss it. I loved how intense the battles are, every single time. Even with the Time Crystal, the stakes feel terribly high. Sure, the narrative feels more cliché than I’m used to. I wish it wasn’t a good vs evil fetch quest. But the character bonds still tell a compelling tale all on their own. And though I didn’t love the side content this time around, I’m still happy there’s so much of it available. Overall, Fire Emblem Engage is an excellent entry in the franchise. You won’t want to miss this one.
At first glance, this game seems like everything I love in a retro RPG. There’s a unique combat and progression system, detailed pixel art, and a fascinating narrative. But most of my biggest issues are in these same areas. The graphics for this release are ill-suited to modern TVs. Progression is obtuse and murky. And the combat quickly wears out its welcome. If you missed out on this game when it first dropped, you’re in luck! It’s been perfectly preserved. But if you’re going in blind, you may be somewhat disappointed with Valkyrie Profile: Lenneth.
High on Life has a particular vibe, one that rewards patient exploration and persistence. The dialogue is a lot to handle, yes. And not every weapon is a winner. The wrong Gatlian can leave you both overwhelmed and unimpressed. But the look, the sound of this game is truly remarkable. This is an alien world that’s crammed full of curious details. The visuals are delicious, the soundtrack is mostly bangers, and the boss fights are well-crafted. Whatever problems I had with the pacing were (mostly) wiped away by that final challenge. It turns out a little spectacle goes a long way. If you can handle Justin Roiland’s unique sense of humor, you’ll want to check out High on Life.
Treasures has a lot of good building blocks, but they don’t add up to much. The gameplay loop starts out compelling, but it quickly goes stale. The visual presentation is alright, but the music is terribly flat. And the act of traversal, of actually exploring, left me unsatisfied. Worse, I never felt like I was working towards anything particularly interesting. Money eventually ends up meaningless in most RPGs, and this game does not buck that trend. If you find yourself hopelessly compelled by the prospect of hunting for loot, this might be your game. Otherwise, I can’t really recommend Dragon Quest Treasures.
As a game, Sonic Frontiers has some definite flaws to be wary of. But as a Sonic game, this is some truly top-shelf stuff.
Whether or not you enjoy this game is dependent on what you’re expecting from it. In the world of hypersexual, campy, insane action games, this sets a new standard. Every successive boss fight raises the bar, the action is always intense, and it oozes charm. There’s more move variety, the characters are beautiful, and the tone is impossibly over the top. If you’ve bounced off of Bayonetta games before, I can’t promise this time will be different. The pacing and core gameplay loop remain largely intact. But for fans of the franchise, Bayonetta 3 is easily as good as it gets. If you loved the first two games, you’ve got to check out this one.
Rather than just coast off the ingenuity of the first game, Sparks of Hope reaches beyond its predecessor. The Sparks give an extra layer of agency and choice to the player, while handing those same deadly tools to your enemies. The battles are fast-paced, clever, and compelling. So much so that the sections outside of battle feel like an exhausting slog by comparison. The dialogue is at turns both witty and insufferable, while the actual plot exists only to justify the action. Don’t let my bizarre set of blinders deter you, though. Mario + Rabbids Sparks of Hope is an excellent follow-up to the remarkable original game.
Bricktales is perfect – for the right audience. The trouble is, I’m not sure who that audience is. The visuals and the writing feel very all-ages. But the puzzle design requires a high degree of patience and perseverance. I’m neither a parent nor a child, however. For all I know, kids love spending ages making the perfect bird perch. That’s where the alchemy happens, you see. That’s the crucible. If you love building without blueprints, if you’ve got a head for design, you’re in luck. LEGO Bricktales will be an incredible time from start to finish. But otherwise? The breathtaking visuals and clever design won’t be enough to hold your attention.
Despite the insidious roguelike trappings, this is a Shovel Knight title to its core. Dig is a nasty slog with no shortcuts to slump against. Spend your money as you might, only your skills can get you further. Like the original games, you can only throw yourself into the meat grinder until your muscle memory spits you out the other side. Although it looks and sounds great, I found myself tangled in the roguelike mechanics. If you’re incompatible with that genre, you might have to pass on this one. But Shovel Knight Dig hides a pretty decent game under all those frustrating outer layers.
Sim games approach their subjects with a mix of reverence and intense focus. Unlike more arcade-style skateboarding games, Session is a pure, unfiltered experience. If you want to recreate the slow, careful process of learning how to skate, this is your game. But be warned! The mix of intense difficulty and self-directed gameplay isn’t for everyone. Anything less than a pure, powerful love for skateboarding will leave you feeling dissatisfied with this game. But if you’re looking for a pure challenge, and don’t mind a few bugs, you’re in luck. Session: Skate Sim is exactly what you’ve been waiting for.
This game is a great time, with a couple minor caveats. If you don’t mind the random, roguelike nature of the combat, then you’ll love it. If you’re playing on PC, you’ll love it even more. The writing is snappy, the action is fast-paced, and the character designs are terrific. I had a hard time grappling with the roguelike elements, however. There’s certain patience this sort of system demands of you, and I don’t have enough of it. On the other hand, if running experiments on hapless humans in dank dungeons appeals to you, take heart! Despot’s Game will be right up your alley.