Brodie Gibbons's Reviews
It's easy to argue that Star Wars: Squadrons doesn't offer quite enough. Players get what is essentially an eight-hour tutorial which acts as a prelude for the game's multiplayer, a limited but fun offering of modes with some potential for great staying power.
Serious Sam is a series that has long alluded me and I'm starting to think it might have been for the better. Although this fourth iteration might feature some staggering, titanic battles and silk-smooth gunplay, its existence feels like a clear reminder that it's often best to let the past stay dead. Serious Sam 4 is an excavation from a long-outdated era that is more Duke Nukem Forever than it is Doom.
Tony Hawk's Pro Skater 1 + 2 is a one-way ticket to the turn of the millennium. It's a complete, beautiful love letter to not only Tony Hawk himself as an icon but to a time when both the series and the sport of skateboarding itself were most pure and fun. As a bundle, and with the multiplayer providing even more longevity, this game offers unrivalled value.
Tell Me Why is a Dontnod game throughout its every part, right down to its bones. Although those bones might be bare, it has a lot of soul. With care, Dontnod dive into discomfort and drag us with them throughout three concise episodes that explore the power that comes coupled with familial ties, both bound by blood and by the metaphysical, as well as memory and all of its heartbreaking deceptions.
No Straight Roads has a laundry list of inspirations and it proudly pays homage to them all in one way or another throughout the journey. Though a few of the game's ideas end up feeling underdeveloped, the game has a lot of heart, a slapping soundtrack and the best boss encounters you'll see in a videogame this year. Just like Bunk Bed Junction in Vinyl City, I expect Metronomik to chart well within the indie scene.
Even with its budget price, it's somewhat difficult to recommend Mastermind given its brevity and few technical issues. I expect Peaky Blinders fans will most enjoy Mastermind as a gritty snapshot at pre-series Birmingham that expands on their favourite television family. I'd even go so far as to give it a cautious thumbs up for those who enjoy working up a mental sweat.
Fall Guys is not only a charming, whimsical take on one of television's biggest spectator events, it's on my shortlist of the year's very best games. I don't think the Mediatonic team could have ever dreamed just how big of a success their one-page pitch inspired by It's A Knockout would amount to. It's insanely addictive with the rapid turnaround episode-to-episode making it easier than ever to keep telling one of gaming's biggest lies: "Alright, just one more."
Superhot’s standalone expansion Mind Control Delete is a great example of how to achieve growth, drive your franchise forward and prevent an admittedly pretty basic concept from going stale. Before I knew I was ready for a change, Superhot Team thrust age-old video game tropes into gaming’s most unique shooter in ways only they could and, in a crazy twist, it works.
It’s disappointing that, through shortcomings in design and the platform’s limitations, Iron Man VR isn’t a superhero outing worthy of the story told here, nor the Tony Stark that has carried Marvel’s films into this new age of popcorn cinema.
Battle for Bikini Bottom, despite offering a fair bit of fun, is a testament of antiquated design and, for better or worse, feels entirely like the game you remember from your childhood. There’s certainly a fun afternoon to be had ruining Plankton’s plot to rule Bikini Bottom while spotting the show’s many references with a keen eye, though ultimately Rehydrated is D.O.A.—dry on arrival.
The Last of Us Part II is a spectacular sequel, it’s a brave and unexpected direction for the series, expanding on the world both narratively and mechanically, producing a far sounder and rounded experience that never falters or gets in the way of the game’s clear storytelling strength.
Though it pulls a lot of the punches today’s open-world games freely throw, Mafia II is a time capsule in a lot of ways. Not only because its post-World War II Empire Bay lives and breathes only to have its face driven into the dirt by enterprising individuals fixated on the American dream, but because it’s a testament to the timeless, story-driven crime drama. The kind that became extinct once substance was forced to make way for Rockstar’s frenzied brand of mania.
Cloudpunk is a tremendous accomplishment in creating a setting; in the sub-genre of cyberpunk, it knows few rivals. There’s a sense of place that demands your attention and dares you to comb every corner and jaw with every sentient settler. For a game about choice, a simplistic approach to gameplay can, at times, deprive the player of meaningful agency, which feels as though it soars in the face of the message. It’s still an absolute pleasure to drink in this one unforgettable night in Nivalis, Cloudpunk is a frontrunner for indie game of the year.
There are parts of XCOM: Chimera Squad that will definitely disappoint long-time fans of the franchise. As a spin-off that departs in some significant ways from the true, mainline experience, XCOM: Chimera Squad is an excellent entry-level strategy game that’ll still provide a decent challenge to those looking to dip their toes in.
Full of ear-splitting energy, Modern Warfare 2's role in pioneering the cinematic, spellbinding first-person shooter can't be understated. With the world at a standstill, and with their careful and scrupulous translation of an undoubted classic, Beenox ignites the flare and call people back to this middle chapter, and where it all began for so many.
Like Evolution before it, AFL Evolution 2 is the best of the footy games. Of course, the bar isn't a high one, though it's fortunate in a way that it's the core gameplay experience that does the heavy lifting. Modes can be fixed, patched and reworked with less work, so knowing that the foundation is rock-solid is a bonus for Wicked Witch as they'll no doubt return time and again in pursuit of the holy grail.
I'd declare Half-Life: Alyx the new age of the first-person shooter, if the uptake of virtual reality had been a little more promising so far. It is a cut above everything I've ever played within a headset and it's a brave, risky step for a long-dormant series to take. It takes a special team to withhold for thirteen years and deliver on an impossible hype and yet Half-Life: Alyx was worth every one of those 4,548 days.
While Ori and the Will of the Wisps is a sequel that'll challenge your resolve and temper your spirit at times, its final act will fill your heart and have it bursting with joie de vivre.
It's clear that Ghost Games has taken a touch of Paradise and applied it to Heat, resulting in a thrilling and beautiful racing game that's bursting with things to do. Though their ambition was bold, they strayed too far from comfort in putting Heat together. When measured up against its own franchise, Heat does a lot to move the series in the right direction and it's a clear, marked improvement over Payback.
Hideo Kojima has long been a visionary auteur, his feted career stands as proof. With no walls to contain him, he has given birth to Death Stranding. It's an experience that will be remembered for a long time, from its early hype to the untethered lunacy of its narrative. It's an art installation of a game that filled me with rage as often as it did joy. It is sweeping in both lustre and purpose, though it wears a few warts on the pleasant, bare bones of a game about deliveries that has no right to be as memorable as it somehow is.