Brodie Gibbons's Reviews
Limbo, when I reviewed it all those years ago, was one of the few games that compelled me to reward it a perfect score. Inside isn’t just a marked improvement on Playdead’s formula, it smashes through the benchmark Limbo set tenfold, leaving me to ponder how a team so small can produce an experience so damn grand.
Red Dead Redemption 2 is a triumph in world-building, character craft and downright skulduggery. Being bad has never felt so good as Rockstar toe the realism line while still keeping their sharp, trademark tongue in cheek. It's the keen attention to detail where Rockstar succeeds and this outlaw prequel comfortably outperforms their best works and in time, I believe, will be regarded as a once in a generation game.
It's hard to fault Marvel's Spider-Man as Insomniac has taken their game to the next level. As a developer, they have gone from strength to strength and Spider-Man is a culmination of their past hits. There's a stunning verticality that compliments the game's watertight mechanics and, despite the literal boundaries, still makes the city seem boundless. If you're a Marvel die-hard, there's enough fanfare here to sink a ship as Spider-Man emerges as the new gold standard. Spider-Man is, without question, the best superhero game ever.
On the back of Phantom Liberty, along with a really substantial rebuild of all of the game's core systems, Cyberpunk 2077 manages to wash its hands of its past failures and emerges as the genuine article. At last, it's the intoxicating escape I once thought it was and stands out, to me, as the premiere role-playing resort in what might very well be a modern golden age for the genre.
I'd declare Half-Life: Alyx the new age of the first-person shooter, if the uptake of virtual reality had been a little more promising so far. It is a cut above everything I've ever played within a headset and it's a brave, risky step for a long-dormant series to take. It takes a special team to withhold for thirteen years and deliver on an impossible hype and yet Half-Life: Alyx was worth every one of those 4,548 days.
The Last of Us Part II is a spectacular sequel, it’s a brave and unexpected direction for the series, expanding on the world both narratively and mechanically, producing a far sounder and rounded experience that never falters or gets in the way of the game’s clear storytelling strength.
Though it's iterative in a lot of ways, Forza Horizon 5 is a near-faultless open-world racing experience that's so sure of itself and its offerings that it goes the extra mile to sprinkle in the kinds of fan service that people go wild for.
While I'm sure there were countless drafts and edits throughout the journey to this point, this Alan Wake II is proof that great things come to those who wait. Like breaking through after a thirteen year stretch of writer's block, I can only imagine the sense of relief in letting this monster of a game loose.
The Last of Us Part II Remastered might ring up an emotional toll that some aren't ready to part with so soon after its original launch, however it's still a worthwhile release thanks in large part to its celebratory behind-the-scene glimpses at how the game came to be. Adding more value to the package is No Return, an excellent, compact roguelike that feels like an apt showcase for the game's blunt force combat.
In another triumph for the humble indie game, Hyper Light Drifter delivers the year’s best action-adventure hybrid so far. It’s best in class on all fronts that count, offering up razor sharp gameplay, an ultra-stylish coat of paint that, when served with a smashing synth, drips an unforgettable atmosphere.
It's a bit unfair to compare Cuphead to almost any other of the brutally tough platformers I've grown to love recently, as it lacks the filler. It gets straight to the good stuff and gives us an almost 'greatest hits' of boss fights. And if they don't get better and more rewarding as they go, I'll go eat. So while you've still got to be a masochist at heart to get through the 'true' Cuphead, people of all ages and backgrounds would be able to sit in front of the television and appreciate Cuphead for its sense of style and its ability to evoke that childlike wonder that was, until now, dormant in most of us.
Rime explores a profoundly melancholic story and plays on the wanderlust we naturally feel as gamers. We're spoiled with how many engrossing worlds and intelligent subtexts have made their way into the medium and Tequila Works have delivered on both fronts.
I fell out of love with Assassin's Creed a long time ago, but Origins has recaptured the magic that made the series a powerhouse all those years ago. With its humble protagonist, whose outlook on life is clouded by relateable and crushing heartbreak, and a world so detail-rich, it's hard not to be floored by everything Origins manages to be. Assassin's Creed Origins is the definitive action-adventure game of the year. It's a wild power fantasy that satisfies not only a curious thirst for knowledge but both bloodlust and wanderlust to such lengths it's almost gluttonous.
Just like Rocksteady did for Batman, Arc System Works has carried Dragon Ball to the upper echelon, crafting a tag-fighting game that captures not only the series' distinctive style but its spirit. FighterZ stands alongside other versatile, yet accessible, games like Marvel vs. Capcom with ease in what is the best fighting game in recent memory. It's a shame the servers hamstring the experience so badly, rendering the game's online a bit of a mess.
Celeste not only joins a long list of phenomenal platforming royalty, but it stands as a mighty pillar among the very best of them. Its message is clear albeit clumsy, though that doesn't detract from its very real and relatable cast of flawed characters. It's challenging in ways many games aren't while managing to maintain an endless supply of magic.
Detroit: Become Human is without a shadow of a doubt, David Cage's best work. After almost a handful of failings, Detroit: Become Human showcases what David Cage is capable of as both a writer and a director. He isn't shy about tackling taboo topics, regardless of the backlash, and it pays off here in what is a stunning story of overcoming oppression.
Tetris is like an old shoe, it's comfortable and familiar. It's hard to believe that three decades on, Tetris is still making the splash it is. It's an evergreen sensation that constantly renews itself and its latest iteration, Tetris Effect might be its euphoric best. Were this rock and roll, Tetris would be held in as high esteem as The Beatles and this particular game would be its 'Revolver'.
Gears 5 is a big, loud blockbuster that brings so much to the table, it’s easy to under-appreciate it.
While Ori and the Will of the Wisps is a sequel that'll challenge your resolve and temper your spirit at times, its final act will fill your heart and have it bursting with joie de vivre.
Fall Guys is not only a charming, whimsical take on one of television's biggest spectator events, it's on my shortlist of the year's very best games. I don't think the Mediatonic team could have ever dreamed just how big of a success their one-page pitch inspired by It's A Knockout would amount to. It's insanely addictive with the rapid turnaround episode-to-episode making it easier than ever to keep telling one of gaming's biggest lies: "Alright, just one more."