Brodie Gibbons's Reviews
When it comes to pure fan service, there won't be many better this year than Return to Monkey Island. It feels like the true sequel to LeChuck's Revenge and it feels as though its clever, self-referential wit is a product of Gilbert's return. As sad and nostalgic as parts of Guybrush's newest tale can be, I had a wonderful time revisiting familiar people and places in yet another golden-age adventure.
It feels like cheating to call Somerville a debut indie title when its creator's individual pedigree is so strong, but it's a tremendous spiritual successor to both Limbo and Inside. It takes an ordinary setting, quickly removes all normalcy, and takes the player on a fleeting sci-fi thrill ride that makes use of every second of your attention that it has.
That’s not to say Returnal doesn’t have a lot to offer players in addition to its addictive ‘one more run’ loop. There’s a rich catalogue of history to fill out for Atropos which tells a fascinating story in its own right, and there’s a daily challenge good for both fun and in-game credits.
Terra Nil is a deftly executed environmental strategy game that flips the script and delivers something unique and quite unlike the city-builders you grew up with. It might be a peaceful experience, but its mission statement is gravely earnest.
Planet of Lana is a profoundly moving title that couples its clever, companion-driven puzzle-solving with an irresistibly gorgeous presentation to create what is, so far, the year's prettiest, heartrending indie.
A picture might be worth a thousand words, but stepping inside a picture is worth so much more. In what is the best game of the last decade, Viewfinder places theatricality, in the form of its mystifying world and its inventive systems, at the forefront of the experience.
In a market with so many deck-building games, leave it to Deconstructeam to turn the paradigm upright and create a card-builder, a brilliant outlet for player expression. The Cosmic Wheel Sisterhood is a stimulating crash course in coven politics of all kinds: identity, community, and straight up politics-politics.
World of Horror is a must play for fans of the sickly and macabre. It's a confronting title on several fronts, from its haunting one-bit tales to its, at times, overwhelming role-playing systems. Once you get your head around it though, it's an endlessly replayable source of supernatural horror that more than honours the works of H.P Lovecraft and Junji Ito.
WWE 2K24 is such a full, feature-complete wrestling game that it makes me thankful for the franchise capitulation from a few years ago. Without it, the digital squared circle likely wouldn't be what it is today, it certainly wouldn't have benefited from the three years of care, respect, and foundation we enjoy today. Instead, it'd remain a story unfinished.
As macabre as it is, Children of the Sun's addictive leaderboard chase is sure to rekindle the competitive spirit in those who find themselves lapping up this world's darkness after having ventured heavenward in Neon White.
Fullbright captured lightning in a bottle with Gone Home, and I began Tacoma wondering whether they could hold onto it, as rare as that is. Thankfully, they did. The core mechanics are simple, yet they make sense within the game's world. Most importantly, they do not over-complicate matters. It allowed us to take in another magnificent Fullbright narrative.
I seriously can't speak highly enough of the world this game presents. I found value in every corner I poked my nose into. Its people, its creatures and its oddball take on what society could be like in a billion years places Torment among the best of its kind. Torment's world has a lasting appeal. Much like a good book you've closed for the last time, you're left with a sort of bitter understanding that you'll never experience it for the first time again. So, you settle for seconds.
I put more time into the original Destiny than I've ever put into anything. I can see myself playing the sequel just as much. Though the core grinding loop might be slightly different this time around, it's still as satisfying as ever. Though it's somewhat of a prelude, the story is a compelling introduction to the Red Legion. Finishing the raid with my clan left me feeling accomplished as its ultra-hard mechanics put a team's mettle to the test. I can't say I've got a whole lot of gripes about this sequel. It feels like a pretty natural evolution of Destiny and does what it always did that little bit better.
I'm sure one day I'm going to finally be able to sit down and say that the well has run dry for Telltale, that their stories can't carry them through anymore. But today isn't that day.
Shadow of Mordor was a bombastic, grandiose romp through a very storied land, steeped in a much-beloved history, as penned by Tolkien. Shadow of War takes what made the original such a great experience and magnifies it tenfold, blowing it up into a titanic game. Embrace the Bright Lord and play this game if you've got even a passing interest in the Lord of the Rings saga. Even if you don't, this high-fantasy action game has a bit of everything.
I want to shout it from the rooftops, Call of Duty is back. Just when it looked like the franchise was going to get wildly out of hand, credit has to be paid to Activision for recognising that the only way forward was to strip away the deadweight and return to its roots. When it comes to bang for buck, WWII triumphs over most. Throw the new social space in alongside what is basically three games and Call of Duty might very well be king again.
I know Hellblade won't be the catalyst to us understanding mental illness overnight, but, again, it needs to be stressed that Ninja Theory took a bold risk here and their art is going to change perceptions somewhere down the line. It's a game where the difficulty of its subject matter trumps its combat, which is unfortunate. How a group of twenty people can make one of the most affecting games of the year, when teams of hundreds routinely fail to do so, is beyond me.
Like Unravel before it, Fe is another triumph for the EA Originals program as Zoink don't hesitate to flex their creative muscle. Despite a few foibles, the core mechanics are sound enough. Though it's in its world-building and artistic direction that Fe truly shines, with a spacious map that sparks the kindling of exploration and ignites that love for adventure.
On the heels of Brothers, Josef Fares has given us A Way Out, a rich and thoughtful independent darling that delivers on a story that respects its characters and remains grounded, hardly ever resorting to nonsense action just for the sake of it. Though we predicted the game's ending before it happened, the conclusion hit us like a truck. With its extremely reasonable pricing and share play, A Way Out is a must play from one of the industry's most talented small teams.
Burnout Paradise is unarguably a stellar racing game and it paved the way for the likes of Forza to do what it has done with its Horizon franchise, so for that there'll always be a place in my heart for it. It's a tough sell for returning veterans as the visual buffs are minimal and the game itself is unchanged. Though if you were too young and didn't get to play Paradise, there's enough here, especially with all of the extra content on-disc, to justify the price of admission.