Read Only Memories manages to frame current issues in a neo-noir light, and excels in many ways at that. I'm still thinking about Turing's notion of the social contract, and how that relates to the way we interact with others.
Kirby: Planet Robobot isn’t too deep, but it doesn’t need to be. It captures the fun, jovial nature of its titular character, and breathes some life into an otherwise tepid formula. It’s brief and hardly earth-shatteringly unique, but it’s fun in the way a Kirby game ought to be.
Hyperdevotion Noire gets a lot of things right, but falters when it crosses the line from comedic hijinks into creepy territory. Regardless, it’s a solid SRPG, and sure to provide Neptunia fans with many hours of content and entertainment.
Superhot is short but full of style and substance, taking an inventive mechanic to its furthest and providing a unique shooter experience. The current offering is slim, but unlike anything else around.
Baba Yaga is a good excuse for another adventure with Lara, but it doesn't hook quite as deep as its base game. Besides an excellent boss fight and a few major moments, nothing here stands out from the fold.
Submerged is a short but impactful experience, crafting sound and sight together to create something unique and different from the mold. It won't keep you coming back for days and weeks, but in its runtime it stands out as one of the most intimate and interesting interactive set pieces I've played this year.
Rebel Galaxy simplifies the formula in an approachable and exciting way, but the 2D space combat, lack of direction and loneliness of single-player space-faring hold it back from reaching the epic scale of other space sims. A fun solo venture, but it won't suck out thousands of your hours.
Lego Dimensions is a great blend of toys-to-life and charming Lego gameplay, but falters under the monetary weight required to get the same breadth of play that previous games did. Some of the best content in the game is locked behind figures, but if you like building with Lego bricks and playing Lego games, this a no-brainer.
Endless Legends tries to overcomes flaws by focusing on strengths. Unique factions, in-depth customization and beautiful art will keep you hooked and wanting more. It isn't perfect, but it is still a solid strategy game.
Chroma Squad isn't particularly deep or epic, but makes up for it in heart and charm, nailing the Saturday morning antics of its inspiration and creating a cheery game that anyone can enjoy.
Though opinions varied, we all agreed that while this is a good Borderlands game, it lacks the polish and innovation to stand on its own legs. While it probably should've been DLC, it's still more Borderlands fun for anyone starving for more Vault hunting action.
The Charnel House Trilogy is a great rainy afternoon pulp horror game, with just enough creepy imagery and top-notch atmosphere to mull over in the days after. It ends up feeling like a short, albeit exciting, prologue to a great adventure game.
Fresh and engaging, The Weaponographist is a succinct package of roguelike goodness. If you need a quick fix of something new for a weekend, this weapon-breaking dungeon-delver will suit that need perfectly.
Neverwinter fails to nail the social aspects and adapt to consoles effectively, but it's still a great solo experience. A solid F2P loot-grind with D&D flavor, but it lacks the social aspects that highlight the MMO genre elsewhere.
Wrong Number is the right call for anyone looking for just more of the same, but some problematic focus on the wrong things keep it from feeling as fresh and exciting as the original. You should still buy the soundtrack, though.
I could see myself blasting through levels of Mario vs. Donkey Kong while waiting for a flight at the airport, or on the train to work, and that’s the best-case scenario for this package, brimming with bite-sized platforming challenges. It may not contain all the spectacle of others, but there’s enough precise jumping and quick calculations here to satisfy the more hardcore, goal-oriented, score-chasing Mario players around.
So if the idea of a tactics game starring the Phantom Thieves, clocking in at a neat 30ish hours, sounds appealing, then Persona 5 Tactica is for you. It’s not as deep or compelling as other options, but it’s got the style and characters you like. The ending wraps up nicely too, even if getting there is a bit drawn out at the start. I’m happy I spent some time in the tactical Kingdoms of Persona 5 Tactica myself. But I also think I’m ready for a new crew to get the spotlight.
Solid and definitely has an audience. There could be some hard-to-ignore faults, but the experience is fun.
If you’re looking for an enjoyable RPG with some novel ideas and strong presentation behind it, Voice of Cards can easily eat up a weekend or two. It’s sweet and doesn’t overstay its welcome, even when I wished it would. While those factors aren’t enough for it to match up against the best-in-class competitors, there are many worse ways to spend a cozy fall evening than curled up with Voice of Cards.
But comfort breeds complacency, and I hope that as The Coalition gains confidence in their take on the franchise, they continue to push. Gears of War 4 reinvents my favorite game type, plays cheeky at the best times and gives me a cast I can get behind immediately, rather than gradually. This isn’t a grand departure, but it’s a start; for now, that’s enough to keep me coming back game after game, wave after wave for more of what only Gears can do.