If you’re a fan of Beyond: Two Souls and want to revisit its world, this is easily the best way to do it. The visuals look superb and the new additions are welcome. However, age hasn’t been kind to Beyond: Two Souls’ story. Without the innovative glean that made this game so unique, Beyond is a poorly written experience that lacks player engrossment. It feels like David Cage’s attempt at directing a movie and, sadly, a tacky one at that.
Control is another Remedy title that shoots for the stars. It might not quite hit in every respect – with a lacklustre third act and some glaring technical issues – but its ambitious scope means what lands does so exceptionally well. The combat is satisfying, the world is overflowing with secrets and the atmosphere is second to none, ensuring Control is yet another stellar addition to Remedy's portfolio.
A disappointing third act and weak moral choices aside, Faith is the best episode since Life Is Strange 2's debut. It unravels Sean's character in interesting ways, has some expansive areas to visit and delves into the more mature aspects of the sequel's world to create some deeply poignant moments. With the finale right around the corner, the Diaz brothers' last chapter has all the ingredients to be a doozy.
This is easily the best way to experience The Walking Dead on a technical front. The graphical revamp of the first two seasons is impressive, the special features are a nice touch, and having all the games in one package is a convenient deal. However, it's the content you're here for and (for the most part) the games hold up exceptionally well. They may be slightly dated, but there's no doubting this package serves as a glowing reminder of Telltale's best work.
Greedfall is an ambitious and, at times, enjoyable RPG that makes use of its unique setting to deliver a story full of intrigue and compelling themes. However, its clumsy presentation, slow gameplay and bug-prone nature leave it a game that always feels a few steps away from greatness. Greedfall definitely has its moments, but unfortunately, you’ll have to break through its severely rough exterior to find them.
The Surge 2 is a satisfyingly challenging game with fluid, fast and intense combat that rewards players investment. It’s not going to change the minds of Soulsborne detractors, but it’s got enough smart, unique features and interesting evolutions of the genre’s systems to put it on the radar of its fans. It’s far from a FromSoftware level game, but it’s a worthy alternative with a lot to offer.
A Hat In Time’s Switch port is sadly the worst way to play the game, however, beneath all its bugs and poor visuals, it’s the same aggressively fun and ruthlessly charming platformer. Its nine-hour runtime is filled with fluid gameplay, hilarious characters and diverse set of levels that toy around with the genre in the best way possible. A Hat In Time is simply one of the best platformers in years, and it’s worth dealing with the Switch’s technical limitations to experience.
In terms of moment to moment gameplay, Song of Horror can feel a little bland. The puzzles are inconsistent, it lacks scares, and the narrative is forgettable. However, the game’s willingness to go all-in on its interesting permadeath mechanic makes it a unique horror experience that manages to disguise its flaws with ambition. It may be largely centred around a gimmick, but with each episode feeling relatively brief, its one that doesn’t wear out its welcome.
Despite its unapproachable first few hours and some severely rough edges, Planet Zoo is one of the best tycoon games of the year. It offers near-limitless potential through its construction and exhibit tools, while Frontier’s visually stunning animals feel authentic and supremely detailed. With some patches, there’s no denying Planet Zoo could wind up being something extraordinarily special.
With more sensational world-building, slick combat and compelling narrative, The Foundation feels like a superb next chapter to Control’s story. It might not do much with the ideas introduced within the original campaign, but with Control being one of last year’s best games, that’s far from a disappointment.
There’s a lot about Resident Evil 3 to love. Its combat is meatier, its linearity makes for an interesting change of pace, and Nemesis is pure nightmare fuel in all the right ways. Yet, the game’s pace is simply too hasty for its brief runtime. In the end, it’s an enjoyable – but noticeably rushed – remake, that never quite matches the heights of its outstanding predecessor.
Maneater really does do what it says on the tin. It’s a hyper-violent, super fun and wonderfully tongue in cheek shark simulator that lets players live out their fantasy of becoming the ocean’s most notorious predator. Yet, it’s beyond that where Maneater struggles, as its repetitive missions and frequent padding prevent it from sustaining its 10-hour runtime.
Windbound almost feels like a mixing pot of some of this decade’s most visually striking and compelling games, and for the most part, the end result is surprisingly effective. It could do with more depth, but its focus on exploration and fantastic ship-building mechanics make for a pretty liberating survival experience.
Although it doesn’t offer many game-changing new features, EA Sport’s UFC 4 is without question the most comprehensive release in EA Vancouver’s MMA franchise. Setting aside some issues with the career mode, it offers a solid update to UFC 3, with smoother combat, a more accessible entry point for new players and the most complete roster of fighters yet.
AWE offers an interesting first look at the future Remedy envisions for both the Alan Wake and Control franchises alongside featuring a terrifying main antagonist and some creepy boss encounters. That being said, it’s still somewhat underwhelming, acting as a teaser for the future with few crazy story beats or new features to get excited about.
Ultimately, players' enjoyment of Pumpkin Jack will crux on how nostalgic they are for the 3D action platformers of yesteryear. The makings of a great game are definitely here, with witty dialogue, a wonderful selection of fun mini-games, and some serviceable platforming. But, outside of its clear homages and lofty inspirations, Pumpkin Jack feels like it has nothing new to say and no modern insights to add. It ultimately winds up a jack of all trades but a master of none, offering plenty of ideas rife with potential but never honing in on one long enough to make it stand out.
While it’s a step up from last year’s Man of Medan, Little Hope is a flawed second entry in Supermassive’s horror anthology series. Its gameplay is better than ever and the story has moments of gold, but this tale of witchcraft and horrifying demons can’t help but be overwhelmed by its lofty scope and frustrating narrative issues.
Dirt 5 offers an exceptional arcade racing experience with solid controls, stunning visuals, and a jaw-dropping variety of tracks.
Superliminal is a compelling puzzle game with an innovative central mechanic, even if its brief campaign lacks a great story or much challenge.
Assassin’s Creed Valhalla is a fun but flawed new entry in Ubisoft’s iconic action franchise, with a bloated campaign that wears out its welcome and a ton of bugs for players remaining on current-generation platforms. Still, what’s here is actually some of the most confident Assassin’s Creed content to date, with thrilling story beats, refined exploration, and enjoyable side content.