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Espire 1: VR Operative is not a mechanically perfect game. Sometimes, the controls can feel a little clumsy in the way that many VR games tend to do, and I wish you could find more handgun ammo to make that class of weapons more useful. With so many VR titles that feel like glorified tech demos Espire 1: VR Operative has some real meat to it, and for most of your time in the game, you will feel like some sort of shadowy, robotic badass. Use all of the mobility and stealth at your disposal, and you will find that Espire 1 sets a pretty high bar for what a VR game can be.
It all shapes up to make F1 2021 more than, well, F1 2020+1. The new game has applied a generous amount of polish to the things that it carried forward, and the new modes, such as Braking Point and the two-player career mode, add some appreciable entertainment to a solid racing game. It is equally enjoyable to an F1 nut as to someone who is entering the sport fandom, and I have been having a great time whenever I fire it up for a few laps.
In the end, I can't shake how captivating the chemistry among the characters was in God of War: Ragnarok. I probably laughed and got misty-eyed more times in the first few hours of playing this than I did for the whole first game. Plenty of heavy themes are tackled here other than life and death: alcoholism, abusive relationships, codependency, depression, emotional breakthroughs, true father-and-son bonding, manipulation, etc. You could call this game God of War: Families, Amirite? I've deliberately been vague about many of the key plot points, funny exchanges and gut-punch moments because I think people need to experience them for themselves. I probably already said too much regarding the bears, but they left an impact. The rest of God of War: Ragnarok will make quite an impression as well, and perhaps provide lessons that can outlive us all.
I'm shocked with just how good Aliens: Dark Descent ended up being, and I could hardly put it down from the moment I loaded it up. It clearly respects the Aliens franchise, but it uses the elements in a way that is in service to the gameplay rather than as mere fan service for the player. Its gameplay is not only incredibly fresh compared to the other games of the franchise, but it's also so well executed that it stands as a high point among real-time tactical games, let alone for an Aliens game. Out of the franchise's entire history of games, there are only three games notable for how uniquely good they are; Aliens: Dark Descent is one of them.
It keeps going like that, too. The Sims 4: City Living encourages you to be constantly out and doing things. In a word, it is refreshing. It's precisely what I felt was missing from the base game of The Sims 4 and from every expansion since. My only true criticism of it is that it's an expansion. I wish that the base game could've felt as real as City Living does, and I wish I didn't have to spend $40 on top of the $40 for The Sims 4. If you've been holding off on The Sims 4 until That One Expansion, City Living is the one.
This was a tale of two (or really, one-and-a-half story playthroughs) for me. During the first one, I was like many people and wanted to mash through the story and reach its end, and it was a truly satisfying experience, aside from what I thought was a really soft ending. Then I jumped in again, this time looking to interact with every possible encounter, using as little fast-travel as possible. That's when I ran into most of the crazy side-stories I mentioned above. That's when Arthur really got to know many of the people in camp instead of just riding with them on designated story missions. I've gone from waiting for it to end to sort of gearing myself up for the end when I see it the next time. We know what happens to Arthur Morgan at the end, but there's a moment during that end where he gets to see a pretty sunset, and the game lets you take a long look. He's dying, but that long look ends up being just enough.
Marvel's Spider-Man does what a lot of good art does, which is examine techniques and concepts that work well, and then blend and refine them to create something unique to itself and possibly greater. I've made this point before: Art and artists have built on and inspired each other since the beginning of time. So yes, I've heard and seen the Spidey/Arkham hot takes, and I ended up not caring at all because at no point did I forget I was playing a Spider-Man experience. I was too busy swinging around in Manhattan, with buildings whipping by as I tailed a police pursuit, thinking about how right it all felt.
Metal Gear Solid V: Phantom Pain is a phenomenal game. It is a credit to its quality that some rather substantial flaws do little to drag down the game, and even with them, it's destined to be remembered as one of the best titles this year. The variety and quality of gameplay make it a delight, and there's a lot of fun to be had. Metal Gear fans and newcomers alike should find a lot to like here. If it is the end of Kojima's Metal Gear career, then it's a high note to go out on.
Eye of the Temple is a rare VR gem that caught me by surprise. Its natural and immersive room-scale movement system, rewarding puzzle sections, and overall scale are excellent. If you own a VR headset and have enough room to play, Eye of the Temple successfully proves the potential of VR.
God of War Ragnarök starts off deceptively simple and familiar, but it shakes up expectations and keeps the player guessing. It improves upon the prior title in every way, including audio, combat, gameplay, narrative, and visuals - and the original was already outstanding.
Final Fantasy XVI is by no means a perfect game, but it is an exceptionally good one. The engaging plot, beautiful visuals, and enjoyable gameplay all combine to create something that feels special. It can occasionally be a little long for its own good, and the combat system is slow to get going, but once it hits all the right marks, it knocks them out of the park. I left Final Fantasy XV disappointed by how unfinished it felt, but Final Fantasy XVI is a true rarity these days: a fully finished game that is satisfying from start to finish.
Much as was the case with World of Tanks, World of Warships does a lot of things really well. Its gameplay is easy to get into but allows for a fair amount of depth in how you approach each battle. I've reviewed many games that I never touch again, but I've kept coming back to Warships with my friends. I'm not sure there is much better praise than that.
Of all the iterations of Kratos I've seen over the lifetime of the God of War series, Old Man Kratos is probably my favorite. His newest adventure might not have quite the same wall-to-wall bombast as the ones that came before, but he's added a new dimension to his personality. He can only stay Old Testament-angry for so long, and the table is definitely set for more installments. There's more to explore now in this new corner of mythology, and it'll be compelling to see if he burns everything to the ground or finds an even higher place to go.
Doom Eternal is a hellishly frantic shooter that puts me closer to heart attack levels than I care to admit — and I love every second of it.
Persona 5 Royal does what it set out to do: Make Persona 5 a better and more rounded experience with more content.
I am hopeful that given time, the multiplayer portion will become a better experience. Its status does little to detract from the single-player portion of the game, which is finally free from the shackles of console-based hardware. The title is a beauty to behold when it's cranked up all the way, and it'll likely run on a pretty wide range of hardware. The PC version may not have any new content, but it hits the platform in an extremely polished way. It won't change your mind about the game if you've already played it on another platform, but it certainly cements itself as a fantastic version of an entertaining game.
There are times when I want to play a racing game that requires a wheel and incredibly nuanced changes to my car's setup. GRID Legends provides a counterpoint to that style, and it's a ball of fun that never feels like it loses focus on being a competitive racing game. It's a racing game that isn't afraid to become a spectacle, while at the same time managing to take itself seriously in the areas that matter. The story mode is the flashiest, but the game remains just as compelling in any other mode. GRID Legends is a great excuse to have some automotive fun.
Ultimately, Starfield is a very enjoyable game that takes the overall formula that Bethesda established in games like Skyrim and Fallout 4 and expands upon it. It is familiar in the ways that feel comfortable, but the game feels like an exciting new experience. It's unfair to compare it to games like No Man's Sky given the vast difference in scope, but at the same time, I wish that the ways the ships are handled didn't feel so compartmentalized with the reliance upon menu-driven fast-travel. Starfield really tries to be many things all at once, and although there are varying levels of success to that end, the game is a downright joy to play.
Dave the Diver is a massive game but looks like it isn't. Its campaign takes well over 20 hours with an addicting gameplay mix of action, RPG, and restaurant management while constantly introducing new and fun gameplay mechanics. It keeps switching things up and always gives you exciting activities to engage in while delivering a gripping story. Get this title on your radar because Dave the Diver is a delight to play.
Divinity: Original Sin's propensity for the old isn't a simple case of wistful nostalgia. It's a conscious decision on Larian's part to resurrect tried-and-true threads that run deep into the bones of the CRPG genre. It's a culmination of those efforts and an unapologetic celebration of battle-tested concepts backed by solid co-op. Most of all, it comes together as a grand adventure that hearkens back to sleepless nights buoyed by the roll of a die and a pad of grid paper shared between fellow dungeon crawlers.