“Nobody trusts anybody now, and we're all very tired” perfectly sums up this final entry in The Banner Saga series. Our fleeting time in this world has never been a happy one, and everyone is all the more weary at the end of it. We've had plenty of memorable moments with various characters along the way, but it's in this entry that the entire journey falls into a bloody maelstrom, as the game steams full throttle towards its brutal conclusion with unfortunately barely a thought to spare for its characters.
Some elements of Crisis Core shine, while others are left in the past
A truly excellent combat system and neat character-centric episodes complement a compelling tale, but weak side activities and some turgid grinding hold it back.
Tell Me Why has been Dontnod operating on a reduced scope, with less characters and less time, and they've pulled it off. Tyler and Alyson have successfully been allowed to grow and function as developed characters before tackling difficult subject matter, and that's really helped the pair flourish as relatable characters. Despite a somewhat rushed conclusion and a final choice that rendered my past actions a little meaningless, Tell Me Why has been one of Dontnod's more pleasant adventures to experience.
Tell Me Why: Chapter One is certainly a promising start for Dontnod's new tale, as the developer looks for a slightly stunted but more mature take on difficult subject matters. Tyler Ronan is a surprisingly positive depiction of a transgender character, even if the bar is set incredibly low, and it's a relief that for once a Dontnod protagonist isn't put through drawn out, traumatic events as a rite of passage. I'm cautiously optimistic to see if Tell Me Why can build on this solid start.
Carrion is an energetic and taut game that flips the tables on The Thing, putting you in command of the alien creature and tasking you with simply going to town on the hapless humans surrounding you. The loose physics-based gameplay is satisfying to play, and the enigmatic creature's bloodlust is crucially never too powerful to render the armed humans that challenge you entirely helpless. Although Carrion's story falls largely flat, it's a very satisfying slaughterhouse of gnashing teeth and tentacles.
It's not going to be a memorable tale, but this Sakura Wars is an enjoyable adventure while it lasts.
Dreams is fantastically experimentative, and it's obvious that the near-limitless creation tools provide a platform on which the community can build far into the future, but to judge this package as whole right now, it's not the wider product that leaves a lasting impression.
There's no denying that breaking down an arrogant witness, and ultimately winning a case in Phoenix Wright: Ace Attorney feel fantastic. Fitting in the right pieces of evidence to find contradictions is extremely satisfying, I just wish there was more depth, and a little more nuance, to both the witnesses you're breaking down, and the game at large.
Metro Exodus is a solid conclusion for a cult series that made its name in rough charm. The open world and stealth systems of the conclusion to the trilogy are largely missteps, but it's when Metro Exodus returns to its horrific roots, with a bunch of caring comrades, that the game fires on all cylinders.
As heartfelt and emotionally painful as Episode Two of The Walking Dead: The Final Season may be, I can't help but feel like we've seen this all before. The groundwork has been laid for a brutal war, and everything from now until then seems to be dwarfed in comparison. Friendships are still the beating heart of this Final Season though, and it's the moment to moment interactions between characters, and the writing, where this second episode excels.
If this is a return to form for Telltale's The Walking Dead, it's ironically come at the beginning of the end. Combat is still a drag in this game, even with the improved freedom of movement. We've got precious little time left with both Clementine and A.J., but this opening episode of the final season of The Walking Dead neatly gives our characters hope, motivation, and some true friends, all in merely a few hours.
Aliens: Dark Descent is a fresh and fun take on the series, with great tactical action supplemented with unique concepts like stress management. The writing and characters sadly don't amount to anything memorable, and boss battles can feel incredibly jarring to the pacing and tension.
Bayonetta Origins shows a great new side of the Umbral Witch, in a tale that's heartwarming as it is enjoyable. Combat and puzzles are a great one-two punch, but Cereza's restricted role and Cheshire's unfaltering nature undermine a little of the former.
Fire Emblem Warriors: Three Hopes rides a great hybrid battle system while barely slowing down for its beloved characters
Triangle Strategy is a great strategic battler, meshed with devilish politicking and weighty decisions. It's just a shame the cast of characters never gets a chance to shine just as bright.
A brilliant battle system is let down somewhat by the largely underwhelming side stories and meandering companions of Scarlet Nexus.
Team Ninja's unforgiving role-playing action adventure set in feudal Japan owes a debt to the Dark Souls series, but with a tone and narrative of its own
While its leading pair and open world design stumble at times, Ghostwire’s wonderfully weird side stories and engrossing combat, more than pick up any slack and work in harmony with the game's more zany and offbeat elements to create a world that hasn't just got looks, but one hell of a spirit, too.
Night School Studios have made hell intriguing and complex, with punchy dialog and relatable characters, be it human or demonic. The humor and writing is where Afterparty shines the most, breathing life into every character it touches—be it short and sarcastic, or emotional and reverent. Like the Beastie Boys' "Fight for Your Right (To Party)," what seems like dumb entertainment can evolve into something a lot more meaningful if you're willing to look beneath the surface.