In general, the Borderlands 3 DLC Designers Cut brings enough content to justify its price. Although it is not ideal and does not make necessary adjustments to the game, it can be satisfactory mainly due to the new skills of each Vault Hunter. However, the Arms Race mode does not seem like something that makes sense with the Borderlands universe and is not recommended for traditional fans.
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The Surge's new expansion wastes a theme that could be better enjoyed, especially if it worked the same way as in A Walk in the Park. An arena mode creates just another opportunity to take advantage of the good gameplay that The Surge has, but adds nothing for the veterans players of the game, maybe the intended audience for this content.
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Hero Defense stands out for the good tower defense gameplay along with the real-time strategy system, but it disappoints with an uninspired and limited progression similar to a free-to-play game. Despite this, the difficulty of some missions and extra challenges may still be interesting to the genre lovers.
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Space Hulk: Deathwing Enhanced Edition is a game that lacks technical polish and variety of content. Even with good combat, it is recommended for those who wish to enjoy the cooperative multiplayer and fans of the Warhammer 40,000 universe.
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The Curse of Osiris does not bring what Destiny 2 needs and does not solve most of the problems that the game presents. The new Raid and the campaign modes are interesting but could be better inserted into the game universe, and all the new content is not enough to be worth the price of the expansion.
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When trying to deliver a looter shooter in an already consolidated universe but showing another side and another approach, Rocksteady Studios only proved that the fans were right from the first glimpse of the game. There are notable positive points despite everything, as well as taking advantage of this cooperatively is fun for some time, but the decisions made did not prove to be the most appropriate and Suicide Squad: Kill the Justice League cannot stand out as a whole, being a product by the halves and without much creativity.
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Dead Island 2: Haus stands out for maintaining the game's basic structure and presenting a new uncompromising story without much logic. With a short duration and little beyond the basics, it lacks enough content to warrant a return to the game.
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Showing good ideas with poor execution, Atlas Fallen is an action RPG with flaws, strange decisions and an underused universe in many ways. It is a better experience when enjoyed cooperatively, but just a decent game nowadays.
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With almost no innovation, the first expansion of Dying Light 2 brings more of the same without being really attractive. There are contents that may satisfy some players, but it might not be enough to keep most interested in the game any longer.
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The console version of Dungeon Defenders: Awakened is delivered as a careless port. Although it has an outdated visuals, horrible menus and the impression of an unfinished product, the traditional fun proposed by the game is present and should please veterans and nostalgics alike.
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Dolmen emerges as a good entry in the world of soulslike and has its value, mainly due to the risks taken by its developer. Even so, the title has positives and negatives points in almost the same proportion, with AI, visuals and interface falling short of what they could be.
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Aliens: Fireteam Elite manages to deliver good cooperative gameplay and it reasonably explores the immense Alien universe. Even so, it has technical problems, lack of immersion and, above all, repetition without much reward.
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Fun combat doesn't save The Falconeer: Warrior Edition from being a mediocre game. Problems with mission design and lack of exploration of its world create a game that only promises and fails to reach its potential.
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There is not much to save from the mediocrity of Terminator: Resistance in its enhanced version. The game still remains stuck in an old and basic FPS model and does not bring much appeal to a larger audience. However, although it doesn't stand out at all, the game delivers a functional and competent experience, now enhanced by the power of a new console.
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With a campaign of inconsistent pace, which does not take advantage of the Cold War environment and gets lost in an old-fashioned version of multiplayer mode, Call of Duty: Black Ops Cold War is a setback in some ways. Zombies mode is the best part of the game and is still released with some limitations. It remains a Call of Duty game and shows some qualities, but in general, it ends up disappointing.
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Tannenberg being released for a console ends up showing more of its bad side than its unique style. Adapting the game to the controls is something not well executed and the title suffers a lot in the technical and visual parts. However, there are successes in the teams structuring and specially in the Maneuver mode.
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Ubisoft might have excessively applied its open-world formula in the creation of Tom Clancy's Ghost Recon: Breakpoint. Even with a great map and yet a good gunplay, uninspiring activities, a story without direction and forcing the game into an even bigger version of The Division clearly do not fit in with everything the series has featured in decades. While the cooperative factor may motivate you to tackle this arduous task, it is only valid with low investment and a lot of patience.
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Chimparty can be fun the first couple of times you play it with friends or at parties and meetings, but does not have the appeal to be often remembered in these situations or arouse the interest to be played individually.
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The King's Bird fails for its imprecise and unnecessarily complicated gameplay for a platform game, making the experience more frustrating than fun. Even though the game has a stupendous look and a high quality soundtrack, it is difficult to recommend only for its technical side.
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Despite a story focused on humor and with a higher difficulty in combat, what stands out is still the lack of content and the exhaustive reiteration of it. This ends up harming an expansion that could be much better enjoyed with a science fiction approach.
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