Don’t think that Past Cure will become the next cult classic, like Deadly Premonition. This is a whole different level of bad. Past Cure attempts to be too many things at once. The developer’s ambition outweighs their ability to execute it effectively. The game’s lofty aspirations are commendable and, at the very least, it is playable. Still, it is a shame that Past Cure doesn’t amount to the titles from which it poorly borrows so many of its ideas.
State of Decay 2 is a moderate upgrade from its predecessor, providing an expanded environment and the heavily-requested cooperative play. What begins as a genuine care for the community of unique individuals assembled under an ever-developing roof quickly becomes a tedious venture to endure glitches that are more frightening than the undead wandering the streets. Staying one step ahead of the game’s issues becomes more of a focal point than actually enjoying what the game set out to do. After some much needed tender loving care from Undead Labs, State of Decay 2 may eventually become a zombie apocalypse simulator worth your time.
Sea of Thieves lays the groundwork for a gameplay experience unlike anything else, which could have lived up to Rare’s legacy, but it fails to fully achieve its ambitions. As it stands, the game is an empty pirate adventure that sports brief moments of delight. Sadly, these instances are fleeting and the player is quickly returned to the monotonous and repetitive quest design to pad out their pirate’s life. Sea of Thieves might one day grow into the game we all hoped for, but for now it is a far cry from its targeted experience.
We Happy Few is a brilliant concept in a world I’m dying to explore. However, the game’s mechanics and performance problems work against that which Compulsion Games have spent so much time crafting. The run-of-the-mill survival mechanics bog down the flow of the campaign and make uncovering the narrative’s answers feel like a chore. Still, underneath it all, it is hard not to find something lovable. Given time, tweaks, and patches, We Happy Few could rise above and become the game it was always meant to be, one that would not require a Joy pill to cover its blemishes.
Skull and Bones is finally a real, fully-launched product after several years of troubled development. While some components manage to pleasantly surprise, like ship buildcrafting and general ship-to-ship combat, the jankiness on the technical front, the exhausting live service components and the slim yet grindy endgame leave a lot to be desired. As always with live service titles, we can look towards the next year of seasons and additional content to see how it develops, but for now Skull and Bones is a middling recreation of the pirate fantasy.
Shadow Warrior 3 is touted as the next step for the franchise, but the end result feels like several in the wrong direction. Lo Wang’s terribly brief outing fails to fully find its rhythm, although it does occasionally glimpse a better version of itself. The lackluster dialogue, platforming, and campaign all hold back the newest installment, providing us a watered-down gun-toting, sword-slinging adventure that tosses aside the loftier ambitions of its predecessor. If fast-paced FPS action is what you crave, your appetite is better satisfied elsewhere.
Outriders has great ideas and those come shining through at various high points to spectacular effect, but it is pushing against the weight of inconsistent execution and unstable systems.
GYLT is a gateway horror game. Taken as an introduction to the genre for a younger player, GYLT certainly succeeds. That isn’t to say that older, more experienced players will find no to enjoy Tequila Works once Stadia are exclusive. Still, they would be hard-pressed to identify systems and mechanics that feel like true modern-day implementations rather than their older iterations. NPCs and puzzles seem to adhere to the designs of yesteryear, creating a mechanically-basic outing for Sally. And yet there’s a charm that can penetrate these enveloping issues. Combining the twisted Pixar-style aesthetics with the heart-wrenching presentation of bullying elevates GYLT just enough beyond its failures to be enticing. If only Tequila Works had more to say about their engrossing world, GYLT would have undoubtedly ascended further.
Rainbow Six Extraction is a mildly interesting repurposing of the Siege formula as it’s molded into a co-op only outing. Breaking away from the 5v5 PvP that has led the charge since 2015 is certainly refreshing, even if combatting parasites with tactical professionals is unlikely to be the experience Tom Clancy fans desire. Whether or not Rainbow Six Extraction vibes with you may be partially dependent on your prior disposition towards Siege, as the central gameplay is copied as is. The difference is in the use of those gameplay mechanics against a different enemy, which changes up the pacing. Those that have been long-time Siege faithfuls may find the Extraction spin-off a fun deviation for the series. Those without prior participation in Ubisoft’s successful multiplayer title are likely to be more aware of the flaws showing through the uninspired implementation of another game’s soul.
Onrush takes an established genre and drives it down a new path. It creates an experience that is distinctly its own, but that includes a number of flaws. The Burnout-lite experience blends class-based gameplay in a handful of modes, and does so semi-successfully. Onrush has a strong premise at its core. If it adapts over time to focus more on its strengths, it may catch up to the competitive titles it set out to challenge.
STRAFE will certainly attract a very specific crowd, likely one filled with gluttons for punishment. The core game provides a solid offering, but nostalgia and gory gunplay need a bit more to make this game rise above the monotony and frustration that settle in over time.
Call of Duty: Vanguard is mostly more of the same, for better or worse. Sledgehammer Games has brought fresh ideas to a formula that desperately needs a shake-up, but the execution only leaves us desiring more. The inevitable Call of Duty: Vanguard 2 may further explore the designs seen in their infancy. And we sure hope it does because Vanguard could signal a notable change in the future. But for now, we have a relatively amusing installment that ticks the required boxes and little else for the annual series.
ELEX II builds upon its predecessor, offering up an enticing return to Magalan, a setting that is as enjoyable as ever. As with all Piranha Bytes games, there is a level of unrefined gameplay to be found. Audio and animations can be a mixed bag. But beyond the rigidness, there’s a game full of sprawling, deep systems that give the player the freedom to tackle this medieval/sci-fi mash-up their own way. It’s unfortunate that the design of a bygone era comes under fire from resolvable technical problems that make it harder to overlook the rougher edges. After a few patches, ELEX II may be able to shine brighter, but as it currently stands it has one too many jagged edges overshadowing its greater parts.
Owlcat Games took special care of their endeavor in creating a beautifully grim setting within the Warhammer 40,000 universe. Nearly everywhere you look, Rogue Trader nails its digital realization of the source material. The grittiness of the surroundings is reflected in the brutality of battle, but ground combat far exceeds the tedium of the space-bound dogfights. There's truly a great Warhammer 40,000 game here, both for newcomers and longtime fans, but its edges remain rougher than desired due to a litany of bugs and inconsistent difficulty problems. A great game exists on the other side of focused patches, but right now it's only "mostly" good.
Tormented Souls is a love letter to the earlier years of the horror genre. The fixed camera angles, heavy reliance on puzzle solving, and claustrophobic mansion-style environments all combine to form a package heavily reminiscent of the titles spanning the fifth and sixth console generations.
Rage 2 contains some of the best shooting of any game in 2019. Taking numerous cues from Doom, the familiar gunplay is loosed upon a more open environment. Shredding bandits and mutants never gets old, regardless of if you have a campaign-only focus or you are pushing past the 20th hour on a completionist run. The achievement set by the gunplay reveals how far below it other areas sit. The open world isn’t utilized to its fullest potential, characters (including Walker) are as forgettable as the story, and driving leaves much to be desired. Rage 2 may be considered a one-trick pony, but that single aspect is so gratifying that it carries the lesser parts on its back to the finish line.
Wulverblade is a solid beat ’em up arcade title that is beautifully wrapped in pleasing aesthetics. It covers a well-trodden path seen in numerous games before, but it manages to deliver an experience that is still its own. The combat is satisfying, especially in terms of sound, but it is held back from being a more rewarding experience due to limiting control factors. Furthermore, the entertaining cooperative play completely forgoes online connectivity, meaning two people will have to play on one machine. Still, hindrances and all, there’s something enjoyable about Wulverblade’s loop that helps carry it through the somewhat short campaign.
Kingdom Come: Deliverance strips away the fantasy from RPG and replaces it with something infinitely more dirty and relatable. This is one role-playing experience that is spilling over with ambition at every turn, even if it gets in its own way from time to time. The hardcore, survivalist, tactical players out there will likely have a field day with everything on offer in spite of the flaws present, while the rest may find themselves turned away by the cumbersome systems connecting it all.
Avatar: Frontiers of Pandora is a surprising tie-in, masterfully building a world that's as exciting to view as it is to briskly navigate. Ubisoft Massive has painstakingly brought the Western Frontiers of Pandora to life, ensuring both casual and die-hard movie fans will appreciate the views. And while the game is able to match the awe of the movies at times, its success is partially stripped back by the all-too-familiar Ubisoft formula peeking out from underneath its beautiful exterior.
Vertigo Games has a strong zombie slaying VR title on their hands with Arizona Sunshine 2. It doesn't elevate the genre in any notable ways, reminding us that the initial entry led the charge in a much different VR landscape than we are looking at today, but it still manages to keep the fun factor intact. It may not be a massive evolution over its 2016 predecessor, but it still maintains an alluring experience (one that is improved by Buddy's presence).