Matt Lorrigan
Backed by an amazing art style, a great soundtrack and a selection of heartwarming characters to take you through the story, Ori and the Will of the Wisps is pure platforming perfection.
There is fun to be had here, especially in some of the more ridiculous endings, but even those are examples of tonal whiplash in a title that plays it straight for the most part. More film than game, The Complex doesn't gain enough from the premise of being interactive - instead, it ends up as a strangely paced movie with a lack of focus and not enough tension to draw players in.
SnowRunner is a slow game, requiring a lot of patience to get through. If you're willing to give it the time investment it asks, then you will find a satisfying experience here, with each contract you take, and each road you traverse, unfolding into one big puzzle to tackle. A hoard of customisation options also allows you to tinker with your trucks to your heart's content. If that sounds up your street, then SnowRunner might be for you, but don't expect to get anything done fast.
Golf With Your Friends is good for a laugh, and the more people you can get involved, the more fun you'll have. The concept is fantastic, but the execution is a little lackluster, resulting in a title that just about makes the par.
Disintegration blends together FPS and RTS elements to create a satisfying gameplay experience, with weapons that feel great to use and battles that will have you constantly on your toes. Campaign missions can be hit-or-miss and the game's storytelling is a little slight, but an enjoyable multiplayer mode will keep you playing once the credits have rolled.
Creaks is a wonderfully atmospheric game that is ingenious in its execution, with a unique art style and excellent sound design. The sheer number of mind-teasing puzzles can be a little relentless at times, but the way that the game's systems evolve and interact with each other over time is incredibly impressive. If you have any love for brain teasers, you should probably consider picking it up.
Carrion is an excellent power fantasy that casts you as the monstrous villain in your own horror film. The wonderfully gloopy animation and conception of Carrion's meaty monster makes it enjoyable to play, especially when tearing through the unfortunate humans that stand in your way. But dull exploration, a lack of memorable environments and disparate gameplay ideas that never really come together, mean that Carrion never truly reaches its full potential.
The Falconeer offers up an incredibly well-crafted world with a deep mythology that's begging to be explored further. Gliding over the open sea on the back of a falcon is pure fantasy, but while the game’s dogfights can occasionally be thrilling, they can soon grow rather repetitive. Samey missions and a lack of options in combat ultimately mean that The Falconeer doesn’t quite stick the landing.
Immortals Fenyx Rising is a strange beast, then. Much of it feels very familiar, and you won’t find many things here that haven’t been done before. Yet, it manages to pull together so many different aspects with such proficiency and love for the source material that it’s impossible not to simply enjoy soaking it all up, in an adventure worthy of the Greek heroes of old.
Werewolf: The Apocalypse - Earthblood fails to satisfy as a stealth game or a brawler, and is let down by poor AI and shoddy presentation. At its best, it’s playable, but commits the cardinal sin of just being boring.
Biomutant is a scrappy and charming open world RPG, but despite its many systems and gameplay mechanics, there isn't enough depth and direction to make this game truly great.
Hades is an excellent action game that allows players to find progression even in death. Roguelikes are normally known for their high level of difficulty, but in Hades, the greatest challenge you’ll face is trying to put it down.
We may have been waiting a decade and a half for a sequel, but Double Fine’s efforts haven’t been in vain - Psychonauts 2 is an energetic, imaginative, and excellent 3D platformer, with brains and heart to spare.
FIFA 22 offers a slower, more deliberate game of football on the pitch, and that's a good thing. But with minimal investment in new modes or updates to existing ones, this is a good upgrade, rather than an essential one.
The Dark Pictures Anthology: House of Ashes is a fun enough way to pass a few hours, and is a lot more enjoyable when you get a few friends involved. But as a cinematic story, it's far too forgettable, with writing that's never better than 'fine' with performances to match.
A Short Hike is a wonderfully chill little game that can easily be finished in the space of an afternoon, combining clever traversal mechanics with a lo-fi visual style and a very relatable protagonist. If you’ve got a couple of hours to kill over a weekend, or after a stressful day of work, A Short Hike is an easy recommendation.
The Gunk is a difficult game to label, but an easy one to enjoy. Whether you’re sucking up a load of the titular gunk to help bring an alien world back to life, or listening to an engaging back and forth between the game’s main characters, there’s plenty to like here, even if it doesn’t quite live up to its early potential.
Elden Ring offers up a gorgeous open world that is enticing and exciting to explore, along with excellent combat variety, amazing bosses to fight, and intricate dungeons to tackle. It might feel a little familiar, but this could well be FromSoftware’s best game to date.
The House of the Dead: Remake is a lovingly crafted remake of an arcade classic that unfortunately fails on a fundamental level with its subpar control scheme. Without true lightgun support, it’s a difficult recommendation.
Kao the Kangaroo is a well-crafted game that pulls inspiration from several other platforming greats, but a lack of polish and an abundance of bugs end up dragging it down.