Sam Brooke's Reviews
Batman: Return to Arkham isn't the greatest ever remaster, but the price offers excellent value and the gameplay of both Asylum and City still hold up. Couple two of the greatest superhero games of all time with their DLC, and you get a lot of bang for your buck here.
Mark McMorris Infinite Air gets the fundamentals roughly right and has quite a bit of customisation, but that's about all there is to it. It's a blank, newly laid sheet of snow – fresh and clean, but nothing exciting comes of it.
Hokkaido may not be the perfect grand ending that many Hitman fans wanted, but it's a nice swansong to signal the end of a successful experiment. Episode 6 is the most atmospheric and creative of the bunch, and is right up there with Sapienza as one of the game's best levels thanks to its design.
Just Dance 2017 may be a good dancing game for anyone who doesn't take themselves too seriously or wants to have a good time with friends, but if you bought 2016, then don't bother. The new Just Dance Machine mode is fun, but it's hard to justify a purchase unless you're a big Just Dance fan.
If there's ever been a polarising game, then it's Call of Duty: Infinite Warfare. The campaign is a whopping amount of fun, and the addition of space combat is a large part of that. Still, there's a distinct lack of progress in both Zombies (as fun as it can be) and Multiplayer that damages the game's replay value, and then there's the unacceptable implementation of microtransactions. The single player may be stellar, but the multiplayer has come crashing down.
The Voice may have the advantage of branding and licensing, but in terms of gameplay it hits a bum note. The song selection is quite good and has quite a bit of variation, but the fact that only two players can sing simultaneously really detracts from the concept of it being a party game, and the Show mode feels no different to any other karaoke game option.
While Spheroids is relatively fun in its early stages and does the basics well, it ruins itself by adding in too much complexity too quickly without thought. The levels are formulaic, frustrating, and suffer from quite a few glitches and bugs, while the story is almost non-existent, the cutscenes awkward, and the ending abrupt.
Hitman: The Complete First Season is an experiment gone right. How convenient, then, that IO's triumphant return is also all about experimentation. The canvasses and settings that Hitman provides allows for all kinds of hits, from the wacky to the professional – and the sheer amount of equipment at your disposal only furthers the possibilities. While lacking in story, Hitman has a glorious future ahead of itself – providing the inevitable Season 2 is as good as the first, of course.
Death Squared is a solidly fun and challenging experience with friends, and even more so when played as a single-player game. Its lighthearted nature, lengthy story mode, and couch co-op possibilities are all good selling points, but SMG Studios' puzzler suffers thanks to a lack of innovation. Test passed - just.
LEGO Worlds is a technical accomplishment, containing thousands of bricks and items that allow players to build whatever comes to their mind. There are a few odd decisions and the gameplay will appeal more to a specific demographic, but Traveller's Tales' latest will surely prove a joy for most creative types.
For all of its flaws, Snake Pass represents an admirable attempt at blending the past and the present. Its anthropomorphic characters, jubilant worlds, and atmospheric soundtrack all scream of eras past, yet its movement system and excellent controls are things of the future. Those willing to slither past the checkpoint and camera issues will find an enjoyable and heartwarming nostalgic adventure. Snake Pass shall pass.
The Deer God may be a beautiful game, but behind its majestic facade lies a dull platformer that fails to challenge. All of the your adversaries are easily bypassed, and the lack of engaging stories or missions leaves this game as one of the worst things to come out of the forest since stinging nettles.
Victor Vran: Overkill Edition doesn't revolutionise the action RPG genre, but it certainly has helped it evolve. The scrapping of class systems and skill trees gives you more control over the character that you want to make, while the hordes of collectable loot will keep you chopping and changing your loadout for a long time. While its story is a little stale and there is still something very conventional about how Haemimont Games' latest is set out, the variety of gameplay and four-player co-op will keep you coming back to Zagoravia for hours.
It's unfunny, it's fiddly, it's aggravating, and most of all it's an assault on your senses – if there's anything that I Want to Be Human is rebelling against, it's your health. While developer Sinclair Strange has tried to carve out its own artistic style, it doesn't work at all, and the menial, tedious gameplay doesn't help either. This game may want to be human, but it sure isn't fit to be.
With an entertaining atmosphere, plenty of settings, and over 1,000 questions, That's You is an absolute with mates – and in this case, the more the merrier. Questions can get hilarious, awkward, crazy, or just downright weird, but what is guaranteed is that you'll be having a hugely fun time. Thanks to its focus on self-deprecation, creativity, and absurdity, Wish Studios' latest is up there with Jackbox and Sportsfriends as an essential for game nights. And the best thing? It's free on PlayStation Plus for the next few months.
Demetrios is a valiant effort from one-man developer COWCAT at reviving the witty point and click adventure game, but ultimately its selling point - the humour - is its downfall. The gameplay is fun and puzzling, the graphics are quirky, and occasionally the dialogue does get a giggle, but the characters are too unlikable and the jokes too obnoxious to make all ten hours (a good amount for a game of this genre) enjoyable.
Though the new Longshot mode is ultimately a disappointment and the gameplay hasn't changed much, Madden NFL 18 is still an excellent pigskin sim despite its lack of competition. Welcoming for newcomers and deeply detailed for die-hards, this year's edition of the long-running franchise is certainly not a Maddening experience.
With its peppy presentation and new lick of paint, Konami has breathed even more life into PES with its latest instalment, a celebration of everything thrilling about football. Gameplay is exciting and technical, and the selection of modes varied and replayable to the point where it's hard to see where the franchise will go next - except for fixing some major flaws in Master League and adding some more licenses. Fans of the series need not Pjanic: PES 2018 continues the series' goal-den streak.
Though Eko Software has tried to give virtual rugby a breath of life – and in some ways, with a revamped control and camera system, it has – the lack of modes and dismal presentation leave a bad taste in the mouth. At full-price, Bigben is demanding an obscene amount of money for a game that feels years behind where it should be.
Max: The Curse of Brotherhood may be a few years old now, but though its visuals don't always hold up, its gameplay certainly does. The ingenuity of the physics and puzzles in the game allow for some truly mind-boggling moments at times, while the exhilarating chase set-pieces will set your heart racing. Its price tag is a little steep, but de-pen-ding on your passion for puzzle platformers, it's a good buy.