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It’s a clever little title, handles well on the Switch and comes in at the same price as a Happy Meal. While it won’t blow away critics at the end of the year, The Exit 8 is memorable and serves as a good proof of concept, like how P.T. once captivated players across the world with unspeakable dread.
I’m not going to say that The Epyx Collection: Handheld is an easy recommendation, but it’s a fantastic opportunity for retro gaming enthusiasts to experience a few hidden gems which had previously only been available on a very obscure, but very underrated portable system. You may think this collection is a waste of time because nobody (aside from me and half a dozen other weirdos) owned a Lynx back in the day, but games like Gates of Zendocon and Blue Lightning are still amazing, more than 35 years later.
Overall, Cartel Tycoon can be a good replacement for other RTS type games. Everything can go wrong pretty easily, as you’d likely be familiar with if you’ve played these types of games before. Sometimes you’ll have games where you steamroll everyone else and feel pretty good about yourself as well. Much like a box of chocolates, you never really know what you’re gonna get sometimes.
Alone in the Dark had the potential to be a truly great game; I was really rooting for it. All the ingredients are present for a great cosmic horror story with interesting characters and a horror environment that could have been one of the best in years. If that’s all you want, then I would recommend picking this up on sale. However, the lacklustre gameplay, bugs, and weak horror segments bring this experience down. Maybe this franchise should be left Alone in the Dark.
I may have enjoyed the shallow, but ever amusing combat sections featured in this collection, but I had to endure utterly boring VN sequences in order to reach the next one. There was also not a lot of substance in terms of lasting appeal and amount of content, despite the “Collection” name in its title. The ridiculousness of the premise doesn’t entirely make up for the technical shortcomings or the boring plotlines, but it’s still amusing in shorter bursts.
Dragon’s Dogma 2 is exactly what I wanted; an updated sequel that still hold true to what made the first game so beloved. While it may not be perfect with its lack luster visuals and performance, it more than makes up for in deep gameplay and addicting exploration. The Pawn system still remains one of the coolest party systems in an RPG, and I love the dynamic feel of them. This is absolutely a game of the year contender and may be my personal game of the year already.
It’s not a terrifically long title, but it’s got heart and a proud showing of individuality in both concept and execution. But having the game become so difficult, not because it’s intended to be, but because it’s performing poorly, reminded me less of Goodboy Galaxy and more of Faceball 2000. If there becomes a more economic way to get the straight Gameboy version, I highly recommend that and think it could be exciting for retro enthusiasts and modern players.
Corn Kidz 64 may have its fair share of issues, but it clicked with me. The visuals, the exact kind of instrumentation you’d expect from an 12MB cartridge, the nonsensical emphasis on collecting everything on sight… it’s all there. Add in some charming animations and some shockingly great level design, and what you have here is basically a staple for all future indie developers to look upon when deciding to make a N64-inspired retro platformer.
While not a game that I can play for an exceptionally long time, Freedom Planet 2 has a charm and appeal that cannot be denied, and makes for a fantastic sequel to an ambitious original. Excessive exposition moments drag down the momentum, but you can jump right back in with surprising vigor.
The problem with Hebereke Enjoy Edition is that it’s a single ROM, with no regards for localization whatsoever. It is a good game, and worth checking out if you loved Ufouria: The Saga 2. But Sunsoft and City Connection could (and should) have done a lot more to entice fans of the franchise and appeal to newcomers. With so many games in the series available in other platforms, an entire retro collection could have been created instead of this barebones pseudo-remaster of a single Famicom title.
Yellow Taxi Goes Vroom is a truly bonkers collectathon with some wacky ideas and excellent level design. There is a lot to do, a lot of places to explore, tons of gears to collect, and dozens of references and pop culture nods to unearth. It is an excessive game in terms of its presentation; it can be too much at times. It’s loud, it’s abrasive, and it’s (adorably) juvenile. But that’s also what makes it so charming, in my opinion. It might be ridiculous at times, but it wears that crown of stupidity with gusto.
Perhaps that’s one of the grand takeaways from Sakramazuzu: there are many questions that both the living and the dead harbor about the Great Beyond. In a tale about existence and meaning with its own quirky styling and approach, it’s natural that we all find something that sits uncomfortably in our own minds. It could be that I, myself, am beset with an awkward position when a conversation lulls and thus need to talk, and I see that reflected in Zuzu and am unhappy with that lens. Or, perhaps, I just need a game to do something other than talk AT me in the middle of trying to discover a bigger purpose.
Despite some issues, Ereban Shadow Legacy is an entertaining stealth experience that takes a novel concept and pushes it throughout the entire game. Sneaking around in the shadows is always a good time for stealth fans, and this one will certainly satisfy that itch.
Children of the Sun is a truly unique game worth experiencing that had me hooked for its entire runtime. An engaging puzzle-centric design mixed with an addictive gameplay loop and extremely high replay value. If you are looking for something a little bit weird, then this is the game for you.
I’m not taking its fascinating and heartwarming development history into account when I say that I liked Saviorless and recommend it… if you’re into this specific kind of slow-paced, artsy platformer.
The Legend of Legacy has ideas that I fully support, but the execution has it firmly sitting in the mildly above average category. The major deterrent is the absence of a storyline. It’s the definition of loose, and no amount of exercise will help it tighten.
Buckshot Roulette is a very short experience, but one that is worth trying out. A uniquely interesting premise that will keep you busy for a couple of hours. Hopefully the developer can expand on this some more, as there is potential for expansion here.
Let me be clear that I laud Saber Interactive for doing the impossible and managing to make a game like Kingdom Come: Deliverance run on the Switch in the first place. Sadly, just because they could, it doesn’t mean they should have done so. This game is not a good fit for the platform, be it for its excessive emphasis on immersion and realism, or the sheer amount of setbacks and limitations which had to be taken in order to make it run (poorly) on the console in the first place.
The Gap doesn’t drop breadcrumbs to lead players to the end, it uses megaphones to scream answers at you while also keeping you completely in the dark. It’s like if Verbal had started his conversation with “I’m Keyser Soze” but then been frustratingly vague about what he was doing on the day in question. The result is something that’s an interesting and big swing in the world of game storytelling, but it only gets a piece of the ball: it doesn’t connect enough for a homerun.
Expeditions: A Mudrunner Game feels less like a mere logistics simulator, and more like a truck version of Death Stranding that feels more exciting to play than Death Stranding itself.