Vane Reviews
Vane is game that has much potential, It has the feel of The Last Guardian to it and that in itself is a reason to want to like this game. The incredible visual style and the haunting 80s synths soundtrack adds buckets of atmosphere. It’s just a shame that the game is so obtuse for its own good.
If you love pretentious indie games then you may enjoy Vane but those just looking to have fun will likely get irritated with it.
Unfortunately, Vane’s most interesting segment is overshadowed by how it manages to combine all of the game’s problems.
Vane's first fifteen minutes are amazing. Then the game plummets in quality faster than a diving bird. Tons of glitches, obtuse puzzle, terrible controls, an awful camera, and stuttering frame rate keep Vane from being worth your time.
Though Vane did not hit any mark for it to be considered good, we can only wonder what’s next for Friend & Foe, and hope that the developers understand that gamers want to not only be challenged intellectually but to also attain an experience they will always remember.
A beautiful world begging to be explored falls victim to unclear direction and clunky controls making for a disaster instead of a delight.
It's clear what sort of tone or manner of presentation Vane is going for despite its short run-time and undeniable vacancy of explanation.
The new PlayStation 4 exclusive third-person adventure Vane is broken, ploddingly slow, and completely confused about what it's trying to do.
There is nothing about Vane that redeems it. This review reads like a list of complaints instead of constructive criticism because there isn't even anything to be constructive about. It's a game that's a challenge to play simply because it challenges your patience.
Despite its deceptively intriguing prologue, Vane quickly goes from a journey of discovery to a laborious chore, mainly due to the abundance of technical issues and a lack of a decent save system.
It seems like during the years of development, Friend & Foe has forgotten what it wanted to say with Vane.
Review in Russian | Read full review
Vane boasts some gorgeous visuals for an indie game but sadly suffers from a litany of bugs and strange design choices.
Vane may have strived to create an immersive experience for gamers, but its technical flaws leave it feeling disjointed and unpolished. It feels like a disappointment for what it could have been and it is hard to recommend the game in its current state.
Vane comes across as an interesting concept, yet a light one that lacks polish.
It can still look visually striking when viewed from a distance while its audio design, with a brooding electronic score, can also be wonderfully atmospheric. Sadly, it's not enough to salvage a wholly disappointing experience that never reaches the lofty heights it begins with.
Initially intriguing by his artistic direction, mysterious in its final, and even if it has the good idea to offer the happiness of being a bird, Vane goes from meditative to painful far too fast, served by a technique too much weak in regard to its size and a lack of sensation, which it does not manage to tie the bottom and the form of its experiment.
Review in French | Read full review
Vane is exhausting, ponderous, bewildering, endlessly frustrating, needlessly obtuse, narratively unsatisfying, mechanically clumsy, and technically shoddy, all shot through a camera so ill-equipped to deal with the rudimentary task of showing you what's happening on screen that you might as well pop a blindfold on and try using The Force.
Though it boasts a resoundingly striking aesthetic, a haphazard save system coupled with a raft of glitches and a misjudged waypoint system all manage to tarnish what should have been one of the first major indie darlings of the year. Vane is simply too frustrating to recommend in its current form.
Video games have really changed as a storytelling medium. what was once a casual dash from left-to-right, dropping baddies and collecting shiny objects, opened up into new realms of drama, narrative and even philosophical messages. Of course, that doesn't make these games immediately any better than the goofy platformers and shmups of gaming's formative years, but it has been amazing to see the many different ways gaming has been adapted by talented designers to tell all manner of dark, abstract and inquisitive tales.Into a busy market of chin-stroking titles such as The Missing, Gris and Gone Home comes Vane, a new PS4 adventure from Tokyo outfit Friend or Foe. Vane, like its brethren, eschews typical action gameplay to present a mood-piece adventure, not dissimilar from the work done by Team ICO. Vane wants to put freedom back in the hands of the player, letting them engage in a strange, mystical journey - without hand-holding - and with player-led discovery being the ultimate prize.
Vane is a game that sticks to its ideals at the detriment of everything else. It's a noble idea to let players figure out everything on their own — until you realize that the large environments and the number of interactive but ultimately useless elements mean more time wasted in activities without a payoff.